Stocking up on late-night reading
I'm finally restocking my nightstand with crime novels, after a long hiatus I can't fully explain. Last night I was reminded of what I've been missing. In Michael Dibden's And Then You Die , detective Aurelio Zen, assaying a bogus identity, is talking to a beautiful woman he has met on the beach: "So where are you from?" "Venice," he answered without thinking. "Really? But no one's from Venice any more." "I am that no one." That's a nice bit of dialog, and I intend to steal it if I can figure out a method more subtle than outright plagiarism. Meanwhile, I'll reveal myself for the crime-fiction dilettante I am by admitting that this is the first Dibden book I've read. My friend Peter Rozovsky was recommending him years ago. With good reason, it seems. I have a couple others on stack: Thirty-Three Teeth , featuring Colin Cotterill's Laotian coronor Siri Paiboun; and What the Dead Know , by Laura Lippman. Based o...